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Status Quo Mighty Innovators Of 70s Rock


Status Quo Mighty Innovators Of 70s Rock
Author: Andrew L. Cope
Publisher: Routledge
ISBN: 1351025880
Size: 44.60 MB
Format: PDF, Mobi
View: 5578
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Status Quo were one of the most successful, influential and innovative bands of the 1970s. During the first half of the decade, they wrote, recorded and performed a stream of inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important musical and cultural trends. But, despite global success on stage and in the charts, they were maligned by the UK music press, who often referred to them as lamebrained three-chord wonders, and shunned by the superstar Disk Jockeys of the era, who refused to promote their music. As a result, Status Quo remain one of the most misunderstood and underrated bands in the history of popular music. Cope redresses that misconception through a detailed study of the band’s music and live performances, related musical and cultural subtopics and interviews with key band members. The band is reinstated as a serious, artistic and creative phenomenon of the 1970s scene and shown to be vital contributors to the evolution of rock.




Beggars Banquet And The Rolling Stones Rock And Roll Revolution


Status Quo Mighty Innovators Of 70s Rock
Author: Russell Reising
Publisher: Routledge
ISBN: 1351396412
Size: 25.99 MB
Format: PDF, ePub, Mobi
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The Rolling Stones’ Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the ‘mature’ sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades. From its title to the dark themes that pervade some of its songs, Beggars Banquet reflected and helped define a moment marked by violence, decay, and upheaval. It marked a move away from the artistic sonic flourishes of psychedelic rock towards an embrace of foundational streams of American music – blues, country – that had always underpinned the music of the Stones but assumed new primacy in their music after 1968. This move coincided with, and anticipated, the ‘roots’ moves that many leading popular music artists made as the 1960s turned toward a new decade; but unlike many of their peers whose music grew more ‘soft’ and subdued as they embraced traditional styles, the music and attitude of the Stones only grew harder and more menacing, and their status as representatives of the dark underside of the 60s rock counterculture assumed new solidity. For the Rolling Stones, the 1960s ended and the 1970s began with the release of this album in 1968.




The History Of Live Music In Britain Volume Ii 1968 1984


Status Quo Mighty Innovators Of 70s Rock
Author: Simon Frith
Publisher: Routledge
ISBN: 131702883X
Size: 52.83 MB
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To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).




Women In The Studio


Status Quo Mighty Innovators Of 70s Rock
Author: Paula Wolfe
Publisher: Routledge
ISBN: 1134776187
Size: 80.40 MB
Format: PDF, Mobi
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The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.




The Art Of Record Production


Status Quo Mighty Innovators Of 70s Rock
Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1315467631
Size: 52.47 MB
Format: PDF, Kindle
View: 6225
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The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.



Status Quo: Mighty Innovators of 70s Rock
Language: en
Pages: 150
Authors: Andrew L. Cope
Categories: Music
Type: BOOK - Published: 2019-02-25 - Publisher: Routledge
Status Quo were one of the most successful, influential and innovative bands of the 1970s. During the first half of the decade, they wrote, recorded and performed a stream of inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important
Beggars Banquet and the Rolling Stones' Rock and Roll Revolution
Language: en
Pages: 216
Authors: Russell Reising
Categories: Music
Type: BOOK - Published: 2019-12-20 - Publisher: Routledge
The Rolling Stones’ Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the ‘mature’ sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades. From its
The History of Live Music in Britain, Volume II, 1968-1984
Language: en
Pages: 232
Authors: Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster
Categories: Music
Type: BOOK - Published: 2019-03-04 - Publisher: Routledge
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the
Women in the Studio
Language: en
Pages: 224
Authors: Paula Wolfe
Categories: Music
Type: BOOK - Published: 2019-06-25 - Publisher: Routledge
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based
The Art of Record Production
Language: en
Pages: 204
Authors: Simon Zagorski-Thomas, Katia Isakoff, Serge Lacasse, Sophie Stévance
Categories: Music
Type: BOOK - Published: 2019-07-01 - Publisher: Routledge
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more